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Inthisverylate60sirreverent,almostanarchiclow-budgetfilm,BrianDePalmadefinesmoreofhisstrange,givenHitchcock-likefascinationofvoyeurism,andattackstheissuesoftheday.Themostprominentofwhich,bothcringe-inducingandjustplainfunny,iswhenhefocusesontheblack-powermovement(ablackwomanhandingoutfliersaskingwhitepeopledoyouknowwhatitsliketobeblack),whichissomethingthatcouldonlyworkforthattimeandplace,notbeforeornow.Butoneofthekeythingstotheinterestinthefilmis27yearoldRobertDeNiro(nothisfirstorlastfilmwiththedirector),whoplaysthischaracterwhositsinaroomlookingoutthroughhistelescopeatwomenintheirrooms,settingupphonydeals,andintheendbasicallythrowingbombs.ThosewhohavesaidthatDeNirocantactandjustishimselfineverymovieshouldseethismovie,ifonlyoutofsomeminorcuriosity.Acoupleoftimesinthefilmitsactuallynotfunny,aswhentheresadisturbanceinablack-powermeeting(filmedinagrainer,rougherstylethantherestofthefilm).IntheenditscappedoffwitharamblingmonologueinaninterviewthattopsDeNirosinKingofComedy.ItsprettyobviouswhereDePalmascareerwouldgoafterthis,intoslightlymoremainstreamHollywoodterritory,butallofhistrademarksarehere;thedark,almostnail-bitingcomedy,theperfectlytimedstyleofvoyeurism,andinterestingusageoflocals.ThinkifDePalmaandDeNirodidaMontyPythonfilm,onlyevenmorelow-budgetandinitsNewYorkwayjustasoff-the-hinges,andyougotHi,Mom!Italsocontainsaneccentricandfunnysoundtrack.imdbcomment
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